Rated:
R
Runtime: 3 Hours
and 17 Minutes
Reviewer:
Dale
Grade: A-
There are many images from "Apocalypse
Now" that one finds impossible to shake after your first
viewing. They are the reason that one revisits it so often (at least,
the reasons that I have): the Napalm airstrike that lights up an entire
section of Vietnamese (Philipino) jungle like a bonfire, Martin Sheen's
camouflaged face emerging from the river covered in fog, Marlon Brando
(truly larger than life) glimpsed half in shadow like a wily demon
trying to sell Sheen on his own imagined brand of truth.
"Apocalypse Now" is a film that one will never forget once
they have seen it. It is a classic meditation on good and evil and
the short distance between the two. It is an intoxicating journey
up a river into Madness, Despair and Insanity. It is about a man in
a war transported to more primal events and times. As he moves up
the river, it is as though he is traveling through time. On his journey,
we see the technology of the modern stripped away and replaced by
something more basic. Bullets give way to arrows. USO shows give way
to tribal cults. The war is never any fun in this film (except perhaps
for Duvall's fascinating Lt. Col. Kilgore) but as the film and Sheen's
journey progress, the war becomes more and more demonic and frightening.
It spins further and further out of control until we emerge at the
end into the total madness of the Kurtz compound with its decapitations
and invented morality. Kurtz has invented his own value system, one
that is far removed from the army's, and they send Willard (Sheen)
to make him pay for it.
"Apocalypse Now Redux" is still about such fascinating and
intoxicating ideas as Madness and the duality which exists within
the human soul. And some of the additional scenes added in the extra
fifty minutes of footage are worth seeing. There is more footage of
Duvall's remarkable performance as Col. Kilgore (including the theft
of his surf board, which garners more than a couple laughs). There
is a scene in which Willard trades a barrel of fuel to get the men
on his boat a few hours with some Playboy bunnies who have crash-landed
in the midst of this moral chaos. I'm not sure what to make of this
scene. It does heighten the insanity of the whole affair (a movie
in which a man can sleep with the Playmate of the Year in the middle
of the Vietnam War is a movie in which ANYTHING can conceivably happen)
but it isn't really necessary. It doesn't detract from the rest of
the film, however, unlike the "Plantation Scene".
The Plantation Scene is the biggest mistake Coppola has made between
the original vision and the new one. I can see why it ended up on
the cutting room floor. It is disastrous. Important dialogue is given
to characters whose accents we can't understand (a lesson Francis
might have learned from his friend George Lucas's inclusion of Jar
Jar Binks into "The Phantom
Menace") but that isn't even the worst thing about it. The
worst thing is that it fatally disrupts the flow of the entire film.
Before this point (and after it) the mood of the movie is one of sustained
intensity and insanity. But this scene takes the film out of its mood
and into twenty minutes of talking. It even includes a disastrous
romantic subplot. This film is the completely wrong film for a romantic
subplot. Romance has no place in "Apocalypse
Now". It's actually quite horrible. And the film's political
agendas are no longer hidden subtext, they are now made painfully
clear, which is a very wrong move. But, as I said, the worst thing
about this new scene is that it disrupts the mesmerizing flow of the
film and makes it nearly impossible to invest one's self in it once
again. It's a bad move. When I buy "Redux" on DVD, I plan
to skip this scene entirely.
But is it worth seeing on the big screen? Indeed. Even though it is
now three and a half hours long (and it certainly feels it) you still
get to see an impossibly young Laurence Fishburne, reminding us how
many young men have been lost in our skirmishes over the years. You
still get to see Robert Duvall embrace the madness of war and continue
to surf, despite the presence of Charlie all around him. You get to
see the "Ride of the Valkyries" attack in throbbing, digital
surround and on a huge screen before you. You get to sit in the dark
with total strangers (and a few friends) for three hours and take
a dark, dangerous ride. I'd have preferred to see the original version
on the big screen, but I will take what I can get.
You still get to smell the Napalm in the morning. And, despite the
horrible French plantation episode, it still smells like victory.