Rated:
R
Runtime: 1 Hour
and 53 Minutes
Reviewer:
Dale
Grade: A+
"Being John Malkovich" is the reason I hate movies like
"Billy Madison". I hate comedies that rely on the same tired
situations and boring sources of humor when there are ideas like "Being
John Malkovich" just floating around in the ether, waiting to
be discovered.
"Malkovich" tells the story of a pathetic young man named
Craig Schwartz. Craig (John Cusack) is a puppeteer who cannot get
a job. One day he applies for a job as a filing clerk on the 71/2
floor of the Mertin-Flemmer building. It is there he meets a brainy
and enticing young woman (Catherine Keener, Best Supporting Actress
nominee and the one who deserved to take the little golden guy home)
who wants nothing to do with him. He also finds a portal behind a
file cabinet that leads him into the head of John Malkovich (of all
people).
Craig soon discovers that he can reside inside Malkovich's head for
fifteen minutes at a time, experiencing everything that Malkovich
experiences. Soon, Craig is selling tickets to anyone who wants to
experience the life of Malkovich.
I am barely scratching the surface of this delightfully absurd comic
fantasy. Easily the most original film in a decade and easily one
of the funniest, the film is like a great, bizarre dream that you
never want to wake from. The film could easily have become a one-joke
film, repeating the same gag of people going into Malkovich's head
and getting dumped out on the side of the New Jersey Turnpike fifteen
minutes later, but somehow the film keeps finding delightful possiblilites
and twists on its maniacal premise. It has a ball and explores all
of the absurd turns that its story can take.
Not only that, but it accomplishes the astounding feat of making you
actually care about its characters. You feel for them, because each
of them is astoundingly well acted. Each of the performers sinks into
their roles as if they are slipping into a looney glove. Cameron Diaz
is remarkable as a frumpy housewife who likes her pets just a little
too much. I said over and over last year that she should have gotten
a Best Actress nomination for her work in "There's Something
About Mary" and she is no less good here. She is one of our best
actresses, and the way that she shines in a comedy is further indication
of this. She brings a soul to characters that otherwise would be a
walking breast joke, and that is a strange and admirable sort of alchemy
to pull off. Catherine Keener also deserves every bit of the kudos
she has received. She is shallow and bitter and nasty, yet we see
what draws Craig to her like a moth to a flame. The moment where she
turns and indicates the window... well, it's a great comic moment
and it works because she has sunk so deeply into her role.
Then there are the men. Cusack is often relied upon to carry the movie,
and he often does it very well, but here he is allowed to relax and
wallow in the adsurdities of the rest of the film and he is excellent.
When I think of this film, I do not even think of it as a John Cusack
movie, and I LOVE Cusack. That right there illustrates how good this
film is.
And then there is Malkovich. He takes his role to unparalleled heights
of self parody, playing his role with a delicious appreciation of
irony. In a year of LOTS of Best Supporting Actor worthy performances,
his at least deserves a big mention.
The direction by first time feature director Spike Jonze is also worthy
of acclaim. He directs the film in a straightforward fashion that
underscores everything beautifully. The pacing, the editing, the use
of color and light... all of them are perfect. And the script by Charlie
Kaufman was ROBBED of an Oscar. I loved "American
Beauty", but this was more tightly scripted, and done so
with the panache that only the sharpest of lunatics can achieve. It
works in subtle points about our need to control the world around
us (and our often complete inability to do so), our desire to be someone
else, our need to be loved, and the way that sex can be used as the
worst of weapons.
And it's hilarious!
From the Seven and a half floor orientation film to the somewhat tragic
ending and including everything in between, this is a brilliant film,
elevating comedy to the level of genius.