Rated:
PG-13
Runtime: 2 Hours
and 1 Minute
Reviewer:
Jones
Grade: B+
Over the past year or so I have made no secret about my admiration
of director Lasse Hallstroms breathtaking The
Cider House Rules. The visual splendor coupled with the
immeasurable talents of the cast made it one of those rare films that
is unforgettable for all the right reasons.
So why am I only getting around to reviewing his most recent film,
Chocolat, now? I suppose there are a number of reasons
for my insolence. First of all, there is no Charlize Theron. Secondly
there is no Tobey Maguire. Thirdly, after hearing the basics of the
plot, I just didnt care. Then, a week ago, I met a man who spoke
very passionately about the film. He told me of the little details
of the film. The things that would make me want to see it, so to speak.
So now I sit here, having seen it, and I can most definitely say that
it did not deserve all of those nominations and it is nowhere near
being in the same league as The
Cider House Rules, but it is a delicious little entertainment
that deserves to be thought of as a good movie and not some overdone
Oscar hopeful.
Life is nothing but routine and monotony for the residents of the
small French town that is the focus of the film. Everyone goes to
church, women obey their husbands, and the sun rises and sets on their
gloomy world. Then one day a woman named Vianne (Juliette Binoche)
and her confused daughter Anouk (Victoire Thivisol) come to town and
life will never be the same for the residents of the town. She seems
harmless enough, but then she opens a chocolaterie during Lent, which
the towns sanctimonious mayor (Alfred Molina) views as a form
of sacrilege. When he finds out that she will not be attending Church,
he decrees the pleasures that her chocolate provides to be the work
of the devil himself.
It seems she is fighting a losing battle against the stuffy status
quo mentality that pervades the town when her service begins
to find an audience. It is the finding of this audience that provides
a great deal of the films humor. Long dormant passions are re-ignited
for one couple. A shy man is given the resolve to ask a woman he has
long admired to go out with him. A bitter old woman (Judi Dench) is
given the chance to enjoy life once again. And, on the more serious
side, a woman finds the will to leave her abusive husband. All of
these wonderful moments are provided by Viannes chocolates,
which makes her the talk of the town and helps to create a division
in the town between the purists and those who long for a little more
out of life.
I know it all sounds quite cheesy, but it is done with enough flair
and validity to make it as plausible as most anything else one ever
sees in the cinema. The film has the same lush visual stylings of
its predecessor The Cider House
Rules. Colors are used with great effect throughout the
course of the film, as the tiny little town transforms from a dank,
dreary burg to the sort of place you might expect to see in a Norman
Rockwell painting. The cinematography captures all of this by merely
taking it all in, rather than using flashy gimmicks and trickery to
get its points across. Viannes concoctions come alive through
the lens in such a manner that one cannot help, but salivate if they
happen to be a chocolate lover. Its probably a good thing that
I know of no chocolateries in my area, otherwise I imagine I would
be quite broke if I had the means to sample the exquisite delights
brought to mouthwatering fruition by Vianne.
As would be expected from the fine ensemble cast, the performances
are all delectable as well. Above all Juliette Binoche and Alfred
Molina in the roles of Vianne and the mayor respectively are especially
noteworthy. Juliette shows that she didnt become an Academy
darling for no good reason. She takes what on paper surely looked
to be a rather thin role and made it quite complex. The layers that
lurk beneath the surface of her strong-willed characters thick
skin are slowly peeled away over the course of the film to reveal
a vulnerable, yet motivated, woman with more knowledge than her years
should allow. In comparison, Molina (Magnolia)
was dealt an incredibly complex hand as well. His character has morals
that would make Christ proud, but that is the only reason he has them.
This is not him and you see it in Molinas eyes and actions.
His wife is on an extended vacation that it quickly becomes apparent,
will never end and he is unable to come to grips with this. It is
for this reason that he forces his blindly chosen ideology upon the
hapless residents of his town. It is for this reason that Vianne could
not have come along at a better time.
In addition to the two top shelf performances are a number of well-rounded
supporting roles. Judi Dench (Goldeneye) delivers her
typical fine performance as the bitter old woman given a new lease
on life. I still am unsure of how she got nominated, but then some
things are better left unresolved. Peter Stormare (Fargo)
turns in another solid performance to add to his repertoire as the
abusive husband who pushes his wife too far. Its good to see
this man getting more and more quality roles, because he is as dependable
as it comes in Hollywood. Lastly, Johnny Depp (Ed Wood)
gives an assured performance as a social outcast, who makes his home
on a boat and travels the waterways of France with his fellow outcasts
(referred to as the river rats by the townspeople). His
is the role that is able to unlock the doors within Vianne, so that
she might be able to find what she truly desires from life, since
that is what she helps others do all day long. One cannot help but
respect Depp. He has been a heartthrob ever since the days of 21
Jumpstreet over a decade ago, but he has never chosen to take
the easy path throughout his career. He has consistently taken difficult
and obscure roles throughout his career. The sort of roles that, I
imagine, would make it difficult for anyone who doesnt keep
up on their movies to name anymore than three movies that he has been
involved in.
Thanks to its exquisite visual style and fine performances, Chocolat
is a film worthy of anyones time who is willing to give it.
It does go a little overboard at times in getting the points it wishes
to deliver across to the viewer, as well as possibly being a wee bit
too long, but overall it has a good message and does a fine enough
job in delivering it.
Chocolat is a deliciously surprising entertainment that
offers a lot more food for thought than what would normally be expected
of what passes for comedy these days. Recommended to those who expect
a little more for their comedic dollar.