Rated:
R
Runtime: 2 Hours
and 9 Minutes
Reviewer:
Dale
Grade: A+
When talking of great acting, you cannot help but mention the name
De Niro. You can't.
Trust me. It's impossible. Why? Well, I point to this performance
as an example. Long before Tom Hanks gained and lost weight in order
to talk to a volleyball on a deserted island, Robert De Niro underwent
radical weight gain and loss in order to essay the character of Jake
LaMotta, and he did it all within two months.
"Raging Bull" is the story of Jake LaMotta, a boxer who
you may never have heard of, mostly because he usually lost to "Sugar"
Ray Robinson. Not always honestly, if you believe this movie. While
most boxers use the fight for their livelihood, LaMotta seems to treat
the ring as a form of therapy. He uses it to exorcise the demons of
his daily life, which are plentiful. He suspects his beautiful young
wife (Cathy Moriarty) of infidelity, despite the fact that there is
no evidence. His brother (Joe Pesci) is trying to get him to ally
with the Mafia, something which Pesci believes will make things easier
on the boxing circuit. He does not entirely trust his brother. He
does not entirely trust anyone around him. In truth, LaMotta's life
is rife with problems. But, quite honestly, each and every one of
them is due to LaMotta himself. If he were not so suspicious, were
he not so incapable of trust, if he were not such a jealous and self-loathing
monster, he would be fine.
De Niro has never, ever been better than he is here. He was awesome
as Travis Bickle and he has been pretty much excellent in any movie
I have ever seen him in, but here he takes things to a whole new level.
He is raw, uncompromising, terrifying and tragic. He is a monster
and a simple man. He is driven by rage, yet totally unaware of his
own terrible motives until it is far too late. When his wife says
that another boxer is attractive, for example, LaMotta is certain
that she is having an affair with the man...despite the fact that
the two of them have never even met. So he gets in the ring and batters
the man to a pulp, demolishing the fighter's nose. "He ain't
pretty no more." Now there is a man with some personal issues.
Aside from De Niro's astounding performance (which even the Academy
could not ignore) the film has any number of virtues. Scorsese's direction
is brilliant. The staging of the boxing scenes, for example, is fascinating.
The camera puts us right in the ring like another boxer, bobbing and
weaving with and against the fighters and bringing us so close and
intimate that we can almost smell the sweat. The black and white cinematography
is gorgeous and effective. Pesci and Cathy Moriarty are both remarkable
in their supporting roles, showing us the pain and sorrow of living
so close to a raw nerve like LaMotta. Scorsese has drawn magnificent
performances from the entire cast and has shown astonishing technical
finesse.
Between this, "Goodfellas"
and "Taxi Driver" there is
no doubt that he is one of the greatest directors that the cinema
has ever seen and I must see more of this man's amazing work.
Add all those things up, and you have a terrific, scarily intimate
and unflinching portrayal of a man on the road to self-destruction,
a man who is taking all those around him down with him.
A census of all the major film critics revealed that the majority
of them thought this was the best film of the '80's. While I don't
quite think that is the case, I must still say that this is one of
the most powerful things I have ever seen. Want brutal honesty in
a film? Look no further than "Raging Bull".