Rated:
PG-13
Runtime: 2 Hours
and 22 Minutes
Reviewer:
Dale
Grade: A+
When I first saw this film, I was utterly obsessed with it. I didn't
expect much from it when it first came out, quite frankly. I didn't
know what to make of it. I don't think anyone did. It's one of those
great success stories where a movie doesn't have the shit marketed
out of it in order to secure itself a boffo opening weekend and then
falls shortly thereafter. No, this was one of those great cinematic
moments like "The Sixth Sense"
or "There's Something About Mary", when a movie comes out
and no one really expects anything of it...and then it just catches
the right chord with the country. Call it timing, if you will. But
I think success stories like this speak to something else, something
more substantial, something very simple. I think it just boils down
to making a film that is really good, an excellent story with a great
idea behind it.
The idea behind "Forrest Gump" is fairly ingenious. It's
the not-so-simple tale of a very simple man making his way the best
way he knows how through the treacherous events of the mid-twentieth
century. It was a time of bitterness and strife, when the nation had
a hard time just keeping itself from imploding. It was a time of crooked
presidents, wars that no one understood, civil rights marches, political
assassination, free love, massive drug use and much, much more. "Forrest
Gump" shows us this confusing and dark period of American history
through the eyes of a simple, optimistic man. We see the events that
transpire to change the atmosphere and the minds of an entire nation
through the eyes of a man who knows he does not understand them. Who
really did understand them? No one, not really. Forrest at least knows
this. He knows that he does not understand anything, and that makes
him special. It also makes him the ideal narrator and focal point
of the film. We see all these extraordinary and chaotic times through
his eyes, and it is the best possible vantage point. It imbues the
film both with a surprising immediacy and a satirical distance. It
is the reason that the whole thing works, and works magnificently.
We see the degradation and loss of the nation's innocence during this
period in the guise of his one true love: Jenny. Jenny makes all the
wrong choices, as many of her generation did, and we see what happens
to someone whose dreams die as she succumbs to the most dangerous
choices available to her. We also see the cynicism and rage of this
generation at what is happening around them in the character of Lt.
Dan (Gary Sinise, in his finest hour): a lieutenant who loses his
faith, his ideals and his legs in Vietnam.
And as for Forrest? He simply goes with the flow. He takes life as
it comes. He takes it one step at a time. And he comes out better
for it, though he does see more than his fair share of tragedy. He
is touched by more tragic events than any of the other characters
in the piece, but his homespun philosophy, his sunny optimism, and
his dim perceptions (or are they really so dim after all? Take another
look at him and tell me, exactly, what makes him stupid?) give him
the right attitude so that he is not dragged into the abyss that all
those around him are drawn into. And it is ultimately he who offers
them redemption. When they learn to take life one step at a time as
Forrest does, they do grow a bit wiser and adjust a bit better for
it.
Do I love this movie? You're damn right I do. Not only does it contain
all the marvelous social commentary that I mentioned above, it's structure
is simply unimpeachable. The film may not even seem to have a structure,
but take another look at it. Take another gander at this superb and
magical film. What of the way that events keep re-occuring with fresh
spins upon them? All the assassinations? Lt. Dan's family history?
Bubba's? And the random nature of events that is very much like reality
itself, the way that each event effects another event and so on and
so forth, giving us the hint that life and even the most extraordinary
and seemingly famous of events and people has a catalyst among the
common man. The common man has an effect greater than he could ever
guess, as I'm sure he does in reality. Each event, each life touches
another and another and leads to something greater than the sum of
its parts. Or does it? Some events, again, as in life, seem to have
no point other than their own existence. Look at Forrest's trip across
the country on foot, for example. Is there a greater goal? Is there
some higher purpose to it? Or is it just there because it is exceptionally
entertaining and utterly wonderful all by itself? Who can tell.
The performances are all excellent. Tom won the Oscar and he earned
it whole-heartedly. He is the heart and soul of the film as well as
its surprisingly sly brain, and he is phenomenal. Gary Sinise is awesome,
intense and magnificent as Lt. Dan. Robin Wright is underrated and
undervalued as Jenny. If she didn't convince, then nothing else in
the movie would. Unless we can see why Forrest would be enchanted
by her, then his single-minded quest to gain her love would not involve
us as deeply as it does. Mykelti Williamson is a hoot as Bubba, but
astoundingly soulful as well (and am I the only one who thinks he's
basically the same character in "Con Air", with Nic Cage
as Gump with long hair and tattoos? Notice his death in both films...but
I digress). And Sally Field is as great as always as Forrest's sweet
and remarkably wise mother.
The special effects are so great that we barely even notice them.
The direction is pitch perfect. I've never seen a Best Picture that
was this flat-out funny, yet with such a wealth of heart and soul
and such a vital, throbbing brain behind it. I've never seen a film
that entertains and enlightens with equal gusto, as this one does.
It's nimbly paced, beautifully filmed, wonderfully scored, daringly
and audaciously edited, whimsical, witty, wise, tragic, potent, powerful,
subtle, beautiful and enchanting.
It has every right to be on the 100 Greatest Films of All Time list.
It's an utterly original and unique epic with a personal slant to
it. Forrest's journey is nothing less than a chronicle of the past
thirty years and an effort to gather some sort of sense from them.
If Mark Twain were working today, this is the sort of story he'd be
telling: a warm, big-hearted story told from the seeming idiot's point
of view that exposes human nature at its most basic while presenting
us with a satiric view of the bigger picture.
I've never seen a film like "Forrest Gump", maybe that's
why I've watched it so many times. And I doubt I will ever see a film
like "Forrest Gump" again. Most films have pretensions that
they are this intelligent, but fail miserably. "Forrest"
makes no such pretensions, it would prefer to surprise you with its
uncommon depth. To hell with "Pulp
Fiction". "Forrest Gump" is, once and for all,
the Best Picture of 1994. It's also one of the best films EVER.