Rated: 
            PG-13
            Runtime: 2 Hours 
            and 22 Minutes
          
          Reviewer: 
            Dale
            Grade: A+
          When I first saw this film, I was utterly obsessed with it. I didn't 
            expect much from it when it first came out, quite frankly. I didn't 
            know what to make of it. I don't think anyone did. It's one of those 
            great success stories where a movie doesn't have the shit marketed 
            out of it in order to secure itself a boffo opening weekend and then 
            falls shortly thereafter. No, this was one of those great cinematic 
            moments like "The Sixth Sense" 
            or "There's Something About Mary", when a movie comes out 
            and no one really expects anything of it...and then it just catches 
            the right chord with the country. Call it timing, if you will. But 
            I think success stories like this speak to something else, something 
            more substantial, something very simple. I think it just boils down 
            to making a film that is really good, an excellent story with a great 
            idea behind it.
            
            The idea behind "Forrest Gump" is fairly ingenious. It's 
            the not-so-simple tale of a very simple man making his way the best 
            way he knows how through the treacherous events of the mid-twentieth 
            century. It was a time of bitterness and strife, when the nation had 
            a hard time just keeping itself from imploding. It was a time of crooked 
            presidents, wars that no one understood, civil rights marches, political 
            assassination, free love, massive drug use and much, much more. "Forrest 
            Gump" shows us this confusing and dark period of American history 
            through the eyes of a simple, optimistic man. We see the events that 
            transpire to change the atmosphere and the minds of an entire nation 
            through the eyes of a man who knows he does not understand them. Who 
            really did understand them? No one, not really. Forrest at least knows 
            this. He knows that he does not understand anything, and that makes 
            him special. It also makes him the ideal narrator and focal point 
            of the film. We see all these extraordinary and chaotic times through 
            his eyes, and it is the best possible vantage point. It imbues the 
            film both with a surprising immediacy and a satirical distance. It 
            is the reason that the whole thing works, and works magnificently.
            
            We see the degradation and loss of the nation's innocence during this 
            period in the guise of his one true love: Jenny. Jenny makes all the 
            wrong choices, as many of her generation did, and we see what happens 
            to someone whose dreams die as she succumbs to the most dangerous 
            choices available to her. We also see the cynicism and rage of this 
            generation at what is happening around them in the character of Lt. 
            Dan (Gary Sinise, in his finest hour): a lieutenant who loses his 
            faith, his ideals and his legs in Vietnam.
            
            And as for Forrest? He simply goes with the flow. He takes life as 
            it comes. He takes it one step at a time. And he comes out better 
            for it, though he does see more than his fair share of tragedy. He 
            is touched by more tragic events than any of the other characters 
            in the piece, but his homespun philosophy, his sunny optimism, and 
            his dim perceptions (or are they really so dim after all? Take another 
            look at him and tell me, exactly, what makes him stupid?) give him 
            the right attitude so that he is not dragged into the abyss that all 
            those around him are drawn into. And it is ultimately he who offers 
            them redemption. When they learn to take life one step at a time as 
            Forrest does, they do grow a bit wiser and adjust a bit better for 
            it.
            
            Do I love this movie? You're damn right I do. Not only does it contain 
            all the marvelous social commentary that I mentioned above, it's structure 
            is simply unimpeachable. The film may not even seem to have a structure, 
            but take another look at it. Take another gander at this superb and 
            magical film. What of the way that events keep re-occuring with fresh 
            spins upon them? All the assassinations? Lt. Dan's family history? 
            Bubba's? And the random nature of events that is very much like reality 
            itself, the way that each event effects another event and so on and 
            so forth, giving us the hint that life and even the most extraordinary 
            and seemingly famous of events and people has a catalyst among the 
            common man. The common man has an effect greater than he could ever 
            guess, as I'm sure he does in reality. Each event, each life touches 
            another and another and leads to something greater than the sum of 
            its parts. Or does it? Some events, again, as in life, seem to have 
            no point other than their own existence. Look at Forrest's trip across 
            the country on foot, for example. Is there a greater goal? Is there 
            some higher purpose to it? Or is it just there because it is exceptionally 
            entertaining and utterly wonderful all by itself? Who can tell.
            
            The performances are all excellent. Tom won the Oscar and he earned 
            it whole-heartedly. He is the heart and soul of the film as well as 
            its surprisingly sly brain, and he is phenomenal. Gary Sinise is awesome, 
            intense and magnificent as Lt. Dan. Robin Wright is underrated and 
            undervalued as Jenny. If she didn't convince, then nothing else in 
            the movie would. Unless we can see why Forrest would be enchanted 
            by her, then his single-minded quest to gain her love would not involve 
            us as deeply as it does. Mykelti Williamson is a hoot as Bubba, but 
            astoundingly soulful as well (and am I the only one who thinks he's 
            basically the same character in "Con Air", with Nic Cage 
            as Gump with long hair and tattoos? Notice his death in both films...but 
            I digress). And Sally Field is as great as always as Forrest's sweet 
            and remarkably wise mother.
            
            The special effects are so great that we barely even notice them. 
            The direction is pitch perfect. I've never seen a Best Picture that 
            was this flat-out funny, yet with such a wealth of heart and soul 
            and such a vital, throbbing brain behind it. I've never seen a film 
            that entertains and enlightens with equal gusto, as this one does. 
            It's nimbly paced, beautifully filmed, wonderfully scored, daringly 
            and audaciously edited, whimsical, witty, wise, tragic, potent, powerful, 
            subtle, beautiful and enchanting.
            
            It has every right to be on the 100 Greatest Films of All Time list. 
            It's an utterly original and unique epic with a personal slant to 
            it. Forrest's journey is nothing less than a chronicle of the past 
            thirty years and an effort to gather some sort of sense from them. 
            If Mark Twain were working today, this is the sort of story he'd be 
            telling: a warm, big-hearted story told from the seeming idiot's point 
            of view that exposes human nature at its most basic while presenting 
            us with a satiric view of the bigger picture.
            
            I've never seen a film like "Forrest Gump", maybe that's 
            why I've watched it so many times. And I doubt I will ever see a film 
            like "Forrest Gump" again. Most films have pretensions that 
            they are this intelligent, but fail miserably. "Forrest" 
            makes no such pretensions, it would prefer to surprise you with its 
            uncommon depth. To hell with "Pulp 
            Fiction". "Forrest Gump" is, once and for all, 
            the Best Picture of 1994. It's also one of the best films EVER.