Rated:
PG-13
Runtime: 2 Hours
and 3 Minutes
Reviewer:
Jones
Grade: A
When I first heard about this film I didn't know what to make of
it. I didn't care too much for the first film, which led to my having
reservations about the second installment in the series.
But I have grown into quite a fan of Tom Cruise's work over the past
year and I found John Woo's film, "Face/Off" to be a breath
of fresh air in the world of action films. With M:I-2 he once again
breathes new life into a stagnant era of action films.
The film begins with the theft of the antidote for an incredibly lethal
virus known as Chimera. This is done by one of Ethan Hunt's (Tom Cruise)
allies: Sean Ambrose (Dougray Scott).
Now he wants to steal the virus so he can make some money out of the
whole deal. Can IMF not find trustworthy agents? This seems to be
a recurring theme. Maybe they need a new human resources person to
take care of this nagging problem. Anyway. After the theft, Hunt is
sent to enlist the services of a beautfiful thief, Nyah Nordhoff-Hall
(Thandie Newton), who he needs to round out his team of agents for
the forthcoming mission. After he has retained her services they,
along with Luther (Ving Rhames), head for Australia to track down
Ambrose and find out exactly what his intentions are. At first it
is unclear as to why the thief is needed for the mission, but, as
the film progresses, it becomes painfully clear to Hunt.
What follows is the sort of action that, in most directors hands,
would be done in a woefully average manner, but John Woo manages to
keep things fresh at every turn, or flip as it may be.
Tom Cruise gives a performance as Ethan Hunt that he would have been
unable to deliver just a few short years ago. He is torn between love
and the job at hand. He has to maintain his aloofness while still
being down to earth. After his great performances in "Eyes
Wide Shut" and "Magnolia",
I was somewhat concerned about his return to action films, but he
cast all of those fears aside in triplicate. I don't recall ever seeing
Dougray Scott in anything, but when I first saw him onscreen in this
film he had this aura of evil about him that I could not ignore. He
gives a great performance as the corrupt IMF agent who has many conflicting
thoughts that cloud his thinking and eventually, of course, lead to
his undoing. Thandie Newton gives an exceptional performance as the
thief/love interest in the film. I had never heard of her before,
but I look forward to seeing what she chooses to do next. Ving Rhames
and Anthony Hopkins give their usual exquisite performances. As a
whole, the cast gives a superb effort.
As for the direction of the film, John Woo seems to have been the
perfect choice for this film.
His presence is apparent in almost every shot. The broad sweeps around
cliffs and shorelines. He makes an action film beautiful in a way
that only Bond films have in the past.
He uses camera speed changes in interesting ways, and seems to know
just when to use them. Take note Ridley Scott. He uses these changes
to allow the viewer to catch up to what's going on in the film while,
at the same time, accenting important points in the film. I must say
that I did enjoy the fact that Woo chose to get rid of the fragmented
plot that plagued the first film and chose a plot that is more akin
to a Bond film than anything else.
Minus the megalomaniacal tendencies of course.
One minor complaint I have about the film, that invariably comes from
Woo's background, is that Ethan Hunt does way too many flips. There
were only maybe one or two times where it felt as if a flip was reasonable
for the given situation. I must say that it did get a little old when
Hunt couldn't lay waste to anyone without doing a flip somewhere in
the fray.
One other thing that wasn't terribly troubling, but actually somewhat
humorous to me, was how ridiculously unbelievable some of the stunts
were. There are many moments in this film that make James Bond's work
believable in comparison. I found myself thinking that as I watched
many of the scenes, but I also had my jaw on the floor a great deal
of the time in response to many of the stunts. The chase sequence
towards the end is worth the price of admission all by itself. You
would think that John Frankenheimer ("Ronin") had a hand
in this film, as masterfully crafted as this sequence is.
In the end these are piddling complaints and in no way detract from
the film's visual beauty and execution. "Mission: Impossible
II" is the type of film that can define a genre for years to
come. It is what action films are meant to be. It is beautiful, frenetic,
and carried by a solid plot. It also has a heart, which is something
that few action films possess. Actually few films, regardless of genre,
have the sort of heart and desire that this film exudes.
Your mission. Should you choose to accept it. Is to go to your nearest
theater, as soon as possible, and take part in the thrill ride that
is "Mission: Impossible II. This message will self destruct in
five seconds.
Reviewer:
Dale
Grade: D
As this film was just starting, Tom Cruise was scaling a rocky wall.
He is climbing up the side of a truly impossible rock face and suddenly
my friend cries out: "Oh no, it begins just like Star Trek 5!!!!"
In retrospect, that should have been an omen.
The first "Mission: Impossible" was no great masterpiece,
but it was fun and it had some wonderful visuals and Tom Cruise gave
a very restrained and human performance. At the very least, it was leaps
and bounds better than this sorry mess. I don't really need to see movies
like this. If I want to see shit, I own a toilet. I don't need to pay
seven bucks for the privilege...if you can really call it that.
Let's get right down to it, shall we? This movie is very dull and quite
average. Tom is climbing a rock. So what? Does it accomplish anything?
Does it mean anything? Is this talent put to use later in the movie?
No, no, and no. It would have been cool if they had at least paged him
or something while he was in the middle of climbing and caused him nearly
to fall, but even that possibility is not explored. Tom gets a master
thief woman to join his crew. Does she get to steal anything during
the entire movie? No. So why make her an expert thief, huh? The rest
of the movie is like that: a lot of missed opportunities.
The plot is easy to follow, and it actually sounds interesting. A double
agent in the Impossible Mission force steals the antidote to a virus
and then wants the virus so that he can make some money off of the whole
thing. It's not a bad villainous plot, as far as plots go. Alas, it
is not really developed or exploited to its true potential. To call
the characters paper thin would be something of an insult to paper.
I simply cannot believe that the man who wrote this movie once won an
Oscar (Robert Towne, "Chinatown"). The characters are so bland
that we would not care if a truckload of them were wiped out. The whole
world is in jeopardy at one point during this movie. If the rest of
the human race is as boring as the ones we are watching, they needn't
bother saving them. I have loved Tom Cruise in many other movies and,
generally, I think he is an underrated actor. People give him credit
for being handsome most of the time, but they hardly ever give him credit
for his work and his range. Here, however, Tom just walks around smiling
and smirking and then looking fierce every so often. He returns in this
movie to the vapid pretty boy that I didn't care for in movies like
"Top Gun" or "Cocktail". The woman in the piece
is given little to do aside from stand around looking pretty. She's
good at that, but I would have cared whether she lived or died a little
more had she actually had any dimension to her at all. And Sir Anthony
Hopkins? He's good, as always, but given nothing to do. At one point,
I think you can actually see him mentally counting the zeroes on his
check.
The action in this movie takes a while to arrive and, when it does,
it certainly is not worth the wait. John Woo has always tended to draw
things out with slow motion for dramatic purposes. Things are drawn
out in this movie, but there is no drama and little in the way of suspense.
There were a couple cool stunts, but for the most part I thought it
was all a little overblown. The stunts in this movie are simply too
preposterous to be believed. That may work in a movie like "The
Matrix", but this is supposed to be taking place in the real
world. It was all a bit too much, really. It's one of those annoying
action movies where a guy on a motorcycle can balance and shoot through
the gas cap into the tank and blow up the whole car while doing all
sorts of outlandish (and they are outlandish) stunts, but a bad guy
in a car with a machine gun not only can't hit the motorcycle, but also
cannot keep the car on the road.
And what the hell is with the symbolism? It was all too heavy-handed
for my taste. Tom has a dove hovering in front of him? Thanks, Woo,
I get it: Tom is the good guy. I rolled my eyes.
Oy. And many moments of the film seem to be lifted wholesale from other
movies in a way that reminded me of "Independence
Day". We saw the whole face mask wearing thing in "Darkman",
thanks. Not to mention the torture with the cigar cutter. I noticed
ripoffs of: "Thunderball", "True
Lies", "Eraser", "The Matrix",
"Goldeneye" and "Darkman". And those are just the
ones I can remember.
Another little pet peeve: the love interest, or lack thereof. I am so
tired of movies where people fall in love after one scene, and with
no real reason except that it was what they were hired to do. That always
annoys me. Give them a good motivation to be in love. the fact that
they screwed will not cut it.
Don't get me wrong. I like John Woo. In fact, I have liked about every
other John Woo movie I have seen. I just didn't like this one. I really
didn't like it. The mission wasn't even all that impossible. And the
music sounded like the intro to a Dave Matthews song that I really like.
It didn't establish the mood, it just made me want to listen to some
Dave Matthews.
Mission: Disposable.
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